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Creativity at Machine Speed

  • Jul 28, 2022
  • 2 min read

Updated: Feb 2

What DALL·E 2 reveals about art, value, and the role of AI in creative work


Conceptual AI-generated image representing artificial intelligence and modern creative processes.

I recently started spending more time on TikTok. Unlike many, I didn’t join the platform during the pandemic, but as I found myself scrolling during downtime at work, one topic kept surfacing: DALL·E 2, an AI image-generation system developed by OpenAI.


DALL·E 2 is designed to translate natural language prompts into realistic images and artwork. The concept alone is striking. Anyone who has spent time creating art understands the effort behind it. I still remember sitting through the eight-hour IGCSE Art exam, working meticulously on a single piece. Art history reminds us that some works take years, decades, or even centuries to complete. Antoni Gaudí’s La Sagrada Familia, designed in 1882, is only projected to be completed in 2026.


And yet, we now live in an era where AI can generate images in seconds.


According to OpenAI, DALL·E 2 can make realistic edits to existing images using simple text prompts. It can add or remove elements while accounting for lighting, shadows, textures, and reflections. The technology is undeniably promising. While I’ve yet to fully explore its real-world applications, it’s easy to imagine its impact in fast-paced creative environments.


Working in advertising, speed is often non-negotiable. Briefs need to be written quickly, content needs to be produced rapidly, and strategies are constantly shifting. AI image-generation tools like DALL·E 2 can save time and money, particularly when creating early-stage visuals or concept references that help clients understand an idea more clearly. In many cases, this can support faster decision-making and even help agencies sell in ideas more effectively.


But this is where the balance becomes delicate.


In some scenarios, the generated visual may already be “good enough” for the client. And for many businesses, the objective is straightforward: maximise profit while minimising cost. That can easily become the end of the creative conversation, rather than the start of something more refined, intentional, and human.


As with most emerging creative technologies, there are clear advantages and limitations. The question isn’t whether tools like DALL·E 2 are useful — they are — but how we choose to position them within the creative process. Used well, they can extend imagination and accelerate workflows. Used poorly, they risk narrowing the perceived value of creativity itself.


Creative value is already difficult to quantify. Translating taste, experience, and intuition into a price has always been a challenge. When positioned as a shortcut or replacement, AI tools can easily be used to undermine that value rather than enhance it.

Handled thoughtfully, however, they represent an evolution rather than an endpoint. Not the death of creativity, but a shift in where creative judgment truly matters.


If you’re curious, explore OpenAI’s work and form your own perspective. The technology is moving fast. How we use it will matter far more than the tools themselves.



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Johnwalf Brigoli is a Senior Producer and Post Producer delivering end-to-end video production and post-production leadership for global brands and agencies.

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